RELEASE TUESDAY: JANUARY 24, 2012

January 23rd, 2012

Things are opening up in this week, but don’t expect that to continue. It’s still a slow time of year for music releases. However, a wide variety of releases genre-wise are featured this week.

SPOTLIGHT RELEASE

Various Artists: Chimes Of Freedom: The Songs Of Bob Dylan Honoring 50 Years Of Amnesty International (2-CD and 4-CD) (Amnesty International)
File Under: Covers

Dylan always had an influence on a plethora of musical genres. It’s what happens when you’re a fantastic songwriter. So it’s no wonder that there are a wide range of artists covering his material for this charity release. We’re talking up to 4 CDs worth of music. Raphael Saadiq gives a great little blues rendition of “Leopard Skin Pill Box Hat.” Ziggy Marley swings through with a nice acoustic interpretation of “Blowin In The Wind.” One of the more interesting covers is the Lenny Kravitz version of “Rainy Day Woman # 12 & 35″ with nary a sign of his guitar. Instead a New Orleans style piano and horn section make for a raucous time. Even Glee’s Darren Criss alongside Chuck Criss and the Freelance Whales jumps into the spotlight. Don’t be turned off by the Glee representation; Darren Criss turns in a great and sublime performance.

Aside from being able to get it digitally or in a 4-CD package, Starbucks will be offering a trimmed-down 2-CD package. No exclusives will be featured on the Starbucks version. While I’m not sure what Starbucks’ price will be, the 4-CD is showing in ads and on Amazon for around $20.

Check out one minute samples over at Amnesty International’s page.

Mighty Sparrow: Sparrowmaina! Wit, Wisdom, & Soul From The King Of Calypso 1962-1974 (2-CD) (!K7/Strut)
File Under: Calypso

Harry Belafonte did his share of calypso records, but he had nothing on Mighty Sparrow who recorded hundreds of them. Twenty-nine tracks are collected here on two discs including a smattering of hits from the 1960s and 1970s. The sound quality is decent but not great, although that probably has more to do with sources than anything else. Still, it’s a great collection for those interested in exploring the genre as performed by one of its best. Relatively cheap, too, for $15. A friend of mine from New York just saw Mighty Sparrow perform recently. Even near 80, he said it was a very energized show.

Jazzanova: Upside Down (Sonar Kollektiv)
File Under: Remixes, Dance, Compilation

Jazzanova hasn’t done a lot of their own original material but have been heavily involved in the remixing game. As the press release states by the band members, “We want to honour other artists’ work remixing Jazzanova with this compilation.”

Smooth beats abound on several tracks including “Soldier Of House” by Lie featuring Theif, but so does a cool, jazzy touch on “I Can See” featuring Ben Westbeech and remixed by Ye:Solar.

Wiley: Evolve Or Be Extinct (Big Dada)
File Under: Hip Hop

Wiley’s album title is an homage to the way he views his career. He just released 100% Publishing late last summer and here we are with another full album. “This Is Just An Album” features a stop-and-go flow with some crazy sound effects. This one is for fans of British hip hop or if you want to get away for some of the garbage hip hop that abounds in America today.

Plug: Back On Time (Ninja Tune)
File Under: Hip Hop

A fast-paced digital affair boasting a previously missing (or out of the limelight) drum & bass. Plug still finds way to switch it up using a sitar on “A Quick Plug For A New Slot” over horror movie piano stabs. There are only 10 tracks, but many of them cross the 5+ minute mark.

ON TV THIS WEEK

Tony Bennett: Great Performances (PBS)
File Under: Standards

PBS’ Great Performances continues with an all-star cast of musicians pairing with Tony Bennett, who is now well into his 80s but still going strong. Focusing on the Duets II album that was released a couple of months ago, you can expect to see Norah Jones, Sheryl Crow, Carrie Underwood, and a man who would like to be Bennett’s musical heir, Michael Buble.

Tune in on Friday, January 27, for many, but with PBS, it’s always advisable to check your local listings.

Watch Tony Bennett: Duets II on PBS. See more from Great Performances.

SOUL REVIVALISTS MIX

January 21st, 2012

Last fall I put together a few soul/funk mixes together for Okayplayer’s The Revivalist when they were doing their soul issue. Four of the five mixes I did were posted on their site, but the final one didn’t make it due to time constraints. It focused on soul revivalists. Here it is:

Various Artists: Soul Revivalists Soul/Funk Mix

Tracklist:

1. Diplomats Of Solid Sound: B-O-O-G-A-L-O-O
2. CSC Funk Band: We Don’t Care
3. Black Joe Lewis And The Honeybears: Sugarfoot
4. The Bo-Keys: Just Chillin’
5. El Michels Affair: Easy Access Pt. 1
6. Quadron: Baby Be Mine (Unreleased)
7. Erykah Badu: Booty
8. Dap-Kings: Money Don’t Make The Man
9. Kings Go Forth: Paradise Lost
10. Orgone: Crazy Queen
11. The Funk Ark: Carretera Libre
12. The Budos Band: The Proposition
13. Breakestra: Back At The Boathouse
14. Poets Of Rhythm: Hotpie’s Popcorn Pt. 1
15. The Other Side: Diggin’ Up The Yard
16. Slim Moore And The Mar-Kays: The Mar-Kays Theme

THE BLACK KEYS TAKE TO THE ROAD

January 17th, 2012

Album: The Black Keys: El Camino (Nonesuch, 2011)

It hasn’t been a quick road to the top for The Black Keys. Their crossover, if you want to call it that, into wider appreciation came around the time they started to work with Danger Mouse back in 2008. Danger Mouse still shares a hand in their latest release, El Camino, released last month. But where Brothers gave way to some gritty garage blues that gained them Grammy awards (3) to go along with two other nominations, Patrick Carney and Dan Auerbach opted to move in a different direction for their follow up. Plain and simple: they wanted to rock.

Choosing “Lonely Boy” for the lead single proves just that. Led by some feedback and a supremely aggressive guitar riff and an equally memorable keyboard line, it still has a dirty sound to it that tips you off to it being a Black Keys song. As impressive as the music is, the vocal arrangement – especially the hook – is a cause for celebration. While not being a full-fledged pop tune, it retains the allure of a catchy pop melody without the sellout.

(I just love the low budget nature of this video. It’s a single take recording where this gentleman gives the lip synch performance of the year. Love the dance moves especially the cheesy move where he looks at his watch around 1:55 for the “any old time you keep me waiting…” line.)

Heavy guitar riffs don’t just get used for catchy radio singles. “Gold On The Ceiling” (not yet a radio single but has been used in an ad for ABC’s Revenge) again goes for a big sound for the riff leading into the chorus and the solo that leads out of it. I can’t recall the last time I heard two great riffs bookending a single chorus in the same song. Abundant are the musical riches that Carney and Auerbach are handling.

And damn if they don’t fool you in to thinking they’re going to pull off a song featuring mainly acoustic guitar in “Little Black Submarines.” That alone would have been a good tune, but as the song progresses, you can hear the build up in anticipation of what’s to come: assault. It shouldn’t be possible to make music this raucous with so few people playing it.

These tracks alone are worth the price of the CD, and I didn’t even get to the lead single’s B-side, “Run Right Back,” or “Hell of A Season.” Given that the CD didn’t come out until December 6 and it STILL made many 2011 year-end lists is an indication of how good the disc is (and, to be fair, how much critics have fallen in love with them). Still, the album is worth all the praise.

Numerous press quotes from various sources have the band saying they wanted to have faster material for their upcoming big venue tour starting this spring. Fans should enjoy it immensely if El Camino is any indication. The European tour kicks off next week in Belgium, and the US tour starts in Cincinnati in early March. The full tour schedule can be seen on their official site.

RELEASE TUESDAY: JANUARY 17, 2012

January 15th, 2012

Very little in the way of new releases this week. There is some free music to mention at the end of the post, though.

SPOTLIGHT RELEASE

Mickey Murray: People Are Together (Secret Stash)
File Under: Soul, Funk

Secret Stash is releasing their first foray into soul/funk genre (at least if you exclude their Mad Dog’s Hustle soundtrack). Murray followed a similar path as James Brown. Both have Augusta, Georgia, roots and both recorded for King Records. Murray was joining the label just as Brown was leaving. It’s easy to hear how the label heads figured that Murray would continue the Brown sound. Vocally, Murray’s style is quite comparable by seamlessly going from an easy sound to a rough, gutbucket funk.

As Brown would go on to become The Godfather Of Soul, Murray would get trapped in the quicksands of time. While Brown had earned the respectability of America to release socially-conscious tracks such as “Say It Loud (I’m Black, I’m Proud),” Murray tried to turn the same trick in 1970 by recording the title track and choosing it as the lead single. Backlash erupted from DJs essentially killed the album. Listening to it now, however, it doesn’t seem nearly as controversial. How the times change.

By ordering directly through Secret Stash, you can get a bonus 45 featuring two non-album tracks that were recorded during the same sessions. One of them, “I Can’t Tell You,” is featured in this video.

Various Artists: Music From And Inspired By Pan Am (Verve)
File Under: Soundtrack, Jazz, Pop

It has to be a good sign for a new show that a soundtrack is being issued. It helps that the show is set during the period of arguably America’s greatest music featuring the likes of Bobby Darin, Stan Getz with Joao Gilberto, and Shirley Horn alongside newcomers doing their version of the oldies including Nikki Jean performing The Beatles’ “Do You Want To Know A Secret” and Grace Potter singing “Fly Me To The Moon.”

Do You Want To Know A Secret (Pan Am Soundtrack)
Nikki Jean: Do You Want To Know A Secret

Liftoff: Sunday Morning Airplay (Fort Knox Recordings)
File Under: Psychedelic, Chill

Pretty heavy stuff from various members of the Fort Knox Five, Thunderball, and Thievery Corporation. According to the press release, the album nearly didn’t come to fruition due to lost hard drives making it akin to the previously “lost” SMiLE album by The Beach Boys (easy there, PR folks). While I wouldn’t go so far as to make that comparison, there is much to like here including the dreamy “Off Yer Feet” and the trippy “The Morning.”

Listen below for a stream of the full album via Bandcamp.

Gabriel Teodros: Colored People’s Time Machine (Fresh Chopped Beats/MADK)
File Under: Hip Hop

Based out of Seattle, Gabriel Teodros releases his sophomore album that follows Lovework from 2007. Colored People’s Time Machine took over two years to make to accommodate all the personnel on the album including Khingz, Rogue Pinay, Sonny Singh, Amos Miller, and SKIM. The lead single, “Blossoms Of Fire” (also the album opener),” features a great summer groover mixing live and sampled vocals.

IN CASE YOU MISSED IT (AND I DID, TOO)

Jonti: Sine And Moon (Stones Throw)
File Under: Electronic

Sine And Moon wasn’t originally conceived as an album. Instead it’s a collection of tracks that Jonti put together on a 4-track prior to the release of his debut album, Twirligig. Jonti had put together a mix of these tunes prior to the release of Twirligig, and here they are presented in the full form. Best of all, it’s FREE!

Jonti – Lost Machines by Stones Throw Records

EARTH, WIND, & FIRE BONUS DISC CONTENT

January 11th, 2012

In my review recently of the Earth, Wind, & Fire set, I mentioned a few tracks on the exclusive bonus disc included in the set. Apparently, however, the full tracklisting has been pretty hard to come by unless you actually own it. (Thanks to Mike from TheSecondDisc for pointing that out.)

So here it is for those who want to know:

Constellations: The Universe Of Earth, Wind, & Fire

1. EWF – Getaway (Live) (1980)
2. EWF feat. The Emotions – Boogie Wonderland (Instrumental from the 12″ single)
3. EWF – Saturday Nite (Alternate Mix)
4. Ramsey Lewis And EWF – Hot Dawgit (1974)
5. EWF – Brazilian Rhyme (Extended Interlude)
6. Jennifer Holliday – I Am Love (1983)
7. EWF – Let’s Groove (Instrumental)
8. Philip Bailey And Phil Collins – Easy Lover (1985) (5:05 album version)
9. Barbara Streisand – Time Machine (1984)
10. EWF – Kalimba Tree
11. Maurice White – Stand By Me (1985)
12. EWF – Eyes Of Hope (previously unreleased, produced for Touch The World)
13. EWF – Insensitive (previously unreleased, produced for Touch The World)
14. EWF – Turn On The Beat Box (1988)
15. Neil Diamond – Stand Up For Love (1986)
16. EWF – In The Stone (Live) (1980)

RELEASE TUESDAY: JANUARY 10, 2012

January 11th, 2012

It’s been a few weeks since we last did a Release Tuesday post, but a few releases are starting to trickle out.

SPOTLIGHT RELEASE

Various Artists: The Best Of Disco Demands: A Special Collection Of Rare 1970s Dance Music (5-CD) (BBE)
File Under: Disco

The cover alone is enough to get your attention, and one that only European labels can get away with (or have the balls to do so). (Notably, Amazon has chosen to use a cropped version.) Enough about the cover because there is some great music on this comp. Scanning the names, none of them are immediately recognizable as anything you’d find on any popular disco compilations at your local retailer. Come on, tell me you’ve heard of Universal Robot Band. Crosstown Traffic (the group, not the Jimi Hendrix tune)? Al Tanner? Didn’t think so. However, Al Kent has compiled a doozy with that bass-pumpin, dancefloor thumpin’ sound.

Who said disco was dead? Listen to this comp and tell me your ass doesn’t move. At $25 for a 5-CD set… please. Immediate sale.

The Little Willies: For The Good Times (Milking Bull/EMI)
File Under: Country, Americana

Obviously, the biggest name in the group is Norah Jones, but this quintet of musicians doesn’t put one member in front of another. They share lead vocal duties and the energy is amazing. This isn’t your modern day pop country. Instead, they cover classics from Dolly Parton, Kris Kristofferson, Willie Nelson, and more. Member Jim Campilongo also wrote an original instrumental piece for them (“Tommy Rockwood”).

This nice little EPK gives you an insight to the sounds on the album as well as the thought process of the band. Exactly what an EPK should do.

IN CASE YOU MISSED IT (AND I DID, TOO)

Elvis Presley: Elvis Country (Legacy Edition) (Sony)
File Under: Oldies, Country

The Legacy Edition of Elvis Country, released on January 3, collects two albums (Elvis Country and Love Letters) and a handful of singles from the period. These albums, released originally in the early 1970s, were a part of Elvis’ dramatic comeback to the spotlight. Ironically, given that Jerry Lee Lewis considered Presley to be a major rival, Elvis even performs The Killer’s “Whole Lotta Shakin’ Goin’ On” pretty convincingly, although it’s hard to outdo Jerry Lee’s energy.

EARTH, WIND, & FIRE: THE ELEMENTS OF RIGHTEOUSNESS

December 30th, 2011

Album: Earth, Wind, & Fire: The Complete Columbia Masters Collection (Columbia/Legacy, 2011)

There’s something special about Earth, Wind, & Fire’s music: its spirituality. Positivity emanates from it. Without trying to sound corny, their aim was geared towards community and relationships with one another, not just romantic. Of course, they touched upon that, too, even in its darker moments such as on “After The Love Has Gone,” on which they collaborated with David Foster.

Legacy released another massive box set in the label’s ongoing Complete series through PopMarket back in October. Collecting 15 of their albums, from 1972′s Last Days And Time through 1990′s Heritage, as well as a collection of tracks spanning collaborations and productions (“Easy Lover” featuring Philip Bailey with Phil Collins) for other acts as well as instrumentals for their own hits (“Let’s Groove” and “Boogie Wonderland”) on Constellations: The Universe Of EW&F which is exclusive to this set, The Columbia Masters is brimming with material waiting to be rediscovered.

What you don’t get is their material under the Warner umbrella, which includes two albums prior to these, and a handful after 1990. With 16 discs, though, you’re hardly getting cheated. Instead, I’ve used this time to familiarize myself with tunes I hadn’t previously heard. At the top of that list is “Happy Feelin’” from 1975.

The intricate synergy between the different parts that start the song from the percussion to that too-tight bass line is classic EWF that lives and breathes its title. What sounds like a vibraphone is actually a kalimba, an African thumb piano, that Maurice White used rather extensively. Do I need to mention those saxes? Clearly, they were a band with an extreme amount of talent, able to tackle any kind of rhythm and draw out its matching human emotion.

Many times when I listen to music, various images will appear in my head. Several years ago before reading more about the band, I remember envisioning “Fantasy” as a theme song for riding up a golden escalator to Heaven. As I got to the top of the escalator, the others on their journey with me started stepping in synchronization to is rhythm. Lyrically, there’s a feeling of wholeness and happiness that goes along with it.

As time went on, they would explore disco “Boogie Wonderland,” although it never sounded kitschy. The band moved on to using more electronic instruments, especially as the 1980s dawned. Even though the backdrop sounded different, the message was still the same: honoring The Creator. That ability to stay on message is the one thing I’ve come to admire most about the group. There’s integrity to staying the course, although I have a feeling that White wouldn’t brag about it. Those who live it don’t need to. Not all of their musical ideas gained critical praise as they moved into the 1990s. Big electronic drum kits were littered throughout Heritage, and even though it’s their most recent album in the set, it also sounds the most dated. Still, a glimpse into the world of one of the greatest musical units to ever grace the stage and studio is truly an honor and privilege. This massive collection is your best opportunity to do so.

(More is set to come from the group in 2012 including a single disc collection of tracks handpicked by musicians such as Lenny Kravitz and Raphael Saadiq in February and a new studio album.)

CELEBRATING 50 YEARS WITH THE TEMPTATIONS

December 29th, 2011

Album: The Temptations: 50th Anniversary: The Singles Collection 1961-1971 (Hip-O Select, 2011)

I remember when I first saw the prices of the 50th Anniversary Singles Collections for The Temptations and Diana Ross And The Supremes in the mid-$50 range, my first reaction when speaking with Mike Duquette of The Second Disc was, “Wow, Hip-O sure thinks highly of these titles.” Then I got a hold of them…

The Temptations lays out the opening decade of the group through 1971. As noted in the back of the book, the primary focus is on the “classic five + Dennis” (namely David Ruffin, Eddie Kendricks, Otis Williams, Paul Williams, and Melvin Franklin along with Dennis Edwards and Elbridge Bryant). As advertised both of these sets collect the singles, both sides, as well as any promo only stuff that might have been recorded. The Temps set even delves into their one single that came under The Pirates moniker from 1962. As Otis Williams hilariously notes about the name, “We’d have died for a hit, but if it meant going through life in pirate uniforms… no thanks.”

We tend to be myopic in thinking about the Temps as a hit-making machine (which they did become), but it was during that time that the group actually struggled to get any action on the charts. In fact, it wasn’t until a year into their foray with Motown that they landed one on the charts with “You’re My Dream Come True” at #22. About two years later, however, they’d start blazing trails with the Smokey-penned “The Way You Do The Things You Do.” Amazingly, every English language track that follows it on this set charted on the R&B and pop charts – including a run of four straight #1s on the R&B charts – except for their take on “Rudolph The Red-Nosed Reindeer”/”Silent Night, Holy Night,” which landed on the now defunct Christmas chart. Talk about dominance. Gordy’s patience paid off.

Ruffin would really start to take off following Elbridge Bryant leaving the group after a backstage tangle in the dressing room. Bad timing on Bryant’s part: “The Way You Do The Things You Do” was the next single a few months later. Of course, Ruffin would later find himself in hot water with the rest of the group, battling both his drug addiction and his ego. He was kicked out and replaced by Dennis Edwards, who picked up with a powerful and rough voice much like Ruffin’s, in 1968. Was there a dropoff? Not really. Dennis’ powerful lead on “Cloud Nine” propelled it to #2 on the R&B chart.

The psychedelic soul era of The Temptations is a majority of the third disc, much of which was done with Norman Whitfield, who had collaborated with them as early as 1963. Of note, the single versions are presented in this collection so you get an abridged version of “Runaway Child, Running Wild” (although the longer album version can be found on the great collection Psychedelic Soul, a must own if you enjoy this period of the Temptations).

The layout and size of this book are just beautiful with excellent notes, many of which were culled from the award winning Complete Motown Singles series. You could call it a CD box set, but you could also consider it a book with companion CDs telling the audio story along with the written word. This collection is a great way to follow the band’s growth from a train that could hardly get out of the station to a powerful locomotive that could hardly be stopped. Sadly, all of the singers of the legendary group have passed away, with Otis Williams being the exception, but we get a chance to celebrate their legacy with a set that honors their memory quite elegantly, fitting for one of the greatest music groups to ever grace a studio or stage.

Coming soon… words on the sister set focusing on Diana Ross And The Supremes.

RELEASE TUESDAY: DECEMBER 20, 2011

December 19th, 2011

Once again, given the limited titles coming out this week, I’m not going to choose a Spotlight Release. Pretty slim pickings this week, although that’s not to say what is listed here isn’t quality stuff.

Common: The Dreamer, The Believer (Warner/Think Common)
File Under: Hip-Hop

Common returns to the music scene for the first time since 2008′s Universal Mind Control, which wasn’t a huge success critically. The first single, “Sweet,” certainly sounds like he has his swagger back. Given that it’s produced by No I.D., a years-long collaborator with the MC, it’s no wonder that there’s a little magic to it.

The Echocentrics: Echoland EP (A Tribute To Timbaland) (Ubiquity)
File Under: Rock

Adrian Quesada – if you have followed the site, you’ve seen his name here before tied to projects from the likes of Brownout and Ocote Soul Sounds. On the EP, two Jay-Z tracks have been covered (“Hola Hovito” and “It’s Hot”), one Petey Pablo track (“Raise Up”), a Timbaland & Magoo cut with Jay-Z and Twista (“Party People”), and a vocal and instrumental version of an Aaliyah tune. Ubiquity has been kind to offer a free track of that tune, “We Need A Resolution.”

The Echocentrics: We Need A Resolution

As interesting as this cover is (and that’s not a slam… I do like it), with its vocals performed by Tita Lima, there are a couple of others I like even better:

1. “It’s Hot” was from 1999′s Vol. 3: The Life And Times Of Shawn Carter following Jigga’s MASSIVE crossover success of Vol. 2 Hard Knock Life. It may not be the popular opinion of most, but I’d rather listen to Vol. 3 front to back than Vol. 2. “It’s Hot” in particular contains one of the most concise diss lines ever delivered: “Go aginst Jigga yo’ ass is dense/I’m about a dolla/what the fuck is 50 Cent?” Granted, lyrics aren’t a part of the Echocentrics version given that it’s instrumental, but it took me down memory lane. Quesada decides to leave the handclaps as part of the percussive backdrop, a wise move as I loved them in the original. Todd Simon drops by for some horn action, which was a string arrangement if my memory serves me correctly on the original track.

2. “Raise Up” wasn’t Petey Pablo’s biggest hit (“Freek-A-Leek” was), although it was the one that got him attention on the video circuit. LOVE what Quesada did on this one. Gives it an epic feel. Those sundrenched guitar licks opening the track give it a soundtrack feel. Such a massive feel to this one.

Most of the EP is being streamed over on Ubiquity’s Soundcloud page, with the Aaliyah instrumental and “Hola Hovito” being the songs left off.

Of note, there is only a digital release of this EP. No physical version is being planned at this time. The release itself almost is accidental in that it was a way to get some “creative juices flowing” as the press release states while he was working on the follow-up to The Echocentrics first album.

SHE & HIM PRESENT CHRISTMAS COLLECTION

December 17th, 2011

Album: She & Him: A Very She & Him Christmas (Merge, 2011)

Zooey Deschanel delivers her vocals so nonchalantly that it’s hard to conclude how hard she’s trying. However, the chemistry between her and M. Ward, her instrumental (and sometimes vocal) partner is undeniable. In fact, the coolness she exhibits in her performance is actually part of the charm of the group. Sounding like a musical act that time traveled from the 1950s and 1960s – back when Christmas albums seemed to be delivering classic after classic – a Christmas album is seemingly a perfect match for the group.

Feeding into that age, they cover classic hits from those decades biggest stars: Ray Charles (“Baby, It’s Cold Outside”), Elvis Presley (“Blue Christmas”), and The Beach Boys (“Little Saint Nick”). Of those three, “Blue Christmas” is her best vocal effort sounding like Linda Ronstadt (and I mean that as a compliment). After all, MOR tunes aren’t always a bad thing when you get a pristine vocal like this. In a close second is their take on the Beach Boys classic. The background vocals aren’t as crisp as those of the Hawthorne, CA, group’s, but I truly admire that they kept them in there. Recreating their harmonies has to be intimidating, but it gives the track extra layers and pays a great homage.

The highlight of the album is the dreamy “The Christmas Waltz” with its lazy strumming. For me, it brings to mind standing by a window looking out at the snow falling while the moon glistens on a blanketed hill of white powder. It’s peaceful and relaxing. (Note: It’s downloadable in the embedded soundcloud player.)

She & Him – The Christmas Waltz by MergeRecords

Adding a bit of Christmas charm to the packaging is the way they placed the liner notes as a Christmas card in a red envelope on the inside of the CD. By no stretch is this going to become a holiday classic, but it’s still a fun one to throw in your Christmas collection for a batch of tunes to play while you bake cookies or decorate your house. For a small $3.99 investment, Amazon is offering the digital version for a limited time low price.